Dantons Tod Komponist

Dantons Tod Komponist: Gottfried von Einem’s opera Dantons Tod, based on Georg Büchner’s 1835 drama of the same name, was written to a libretto by Boris Blacher and Gottfried von Einem. It was premiered on August 6th, 1947, in Salzburg, Austria. In 1955, it was given an update.

Dantons Tod Komponist

At the Salzburg Festival in 1947, Gottfried von Einem performed his opera Dantons Tod, and it went on to be staged in European theatres in a matter of weeks. An opera by a young Austrian composer who had not engaged with the old regime’s cultural agendas was a first step toward the rehabilitation of German artists after World War II.

At the time, the world was realising that the conclusion of World War II had not removed the disease of authorised political terror. SynopsisGeorg Büchner’s play Dantons Tod Komponist was the inspiration for von Einem and his composition instructor Boris Blacher’s work on Dantons Tod. The main character is Georges Danton, a Revolutionary War general in the French government

April 1794, he was executed for opposing Robespierre’s methods, which included terror. During the first act, Danton and Robespierre face each other. During a game of cards, Danton and Camille Desmoulins express their want for an end to the daily executions. In the second scene, we are introduced to the agitated audience

Danton's Death - Wikipedia
Dantons Tod Komponist

. The mob is swayed by Robespierre’s aria as he makes a speech promising even more killings. Danton approaches him. After Danton departs, Robespierre and Saint-Just come to the conclusion that they must put an end to Camille and him. Danton tells Camille and Lucile that he will be arrested in the last scene of the play, but he refuses to run.

Act 2 shows the trial and execution of Danton. Danton and Camille are imprisoned between two episodes in front of the Revolutionary Tribunal. It’s Lucile who comes to visit Camille, since she’s completely lost her head. Trial scenes show the audience oscillating between calling for Danton’s death and falling under his charm.

At the conclusion, the condemned convicts sing “La Marseillaise” to the accompaniment of the Carmagnole-dancing throng in the Place de la Révolution. The execution of Danton and Camille is completed. Lucile makes her way to the guillotine when the throng has dispersed

. As the curtain lowers, she yells, “Es lebe der Konig (Long live the king)” and is arrestedAn orchestral prelude was substituted for the chords that currently start the opera by Von Einem, who also removed a piece following Danton’s death and changed Lucile’s last scene.

Dantons Tod Komponist


Danton is played by Paul Schöffler, Desmoulins by Julius Patzak, and Lucile is played by Maria Cebotari. Ferenc Fricsay directed the Vienna Philharmonic and the Vienna State Opera Chorus in this live recording from the premiere on August 6, 1947 in Salzburg. Allegro Corporation’s Opera D’Oro label has a recording.

Werner Hollweg; Krisztina Laki; the ORF Chorus and Orchestra; Lothar Zagrosek Orfeo 1983; Theo Adam.The first section.Danton has withdrawn from politics and is enjoying life, while Robespierre sees himself as a defender of the revolution and is in charge of a terrifying overthrow. Danton and Hérault de Séchelles were informed by Camille Desmoulins that two innocent people had once again been targeted.

Danton, Robespierre’s last surviving opponent, had to do something against him. Danton is always on guard.An unnamed young man is lynched by the populace in an alleyway because of his possession of a taser.Danton spots Robespierre and dares him to halt his reign of terror

. However, this knocks him down on his face. St. Just Robespierre wants to know that Danton, Hérault de Séchelles, and not to mention Camille Desmoulins, may be dangerous after Danton’s return to strength. In order to put an end to the Revolutionsleader’s rule, he holds them all three in contempt of court. At Robespierre followed the advice.

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Dantons Tod Komponist

Dantons Tod Komponist The second part

Danton and Camille are staring at one other through the gallows. Last but not least, it becomes apparent that he has been broken by his past. There are a lot of people gathered in front of the jailhouse. Parts of the populace support Danton, while others oppose him. It erupts into a massive commotion.

The prisoners will be sent to the Revolutionary Tribunal. Their President apologises to them for joining forces with the enemies of the revolution. Initially, it seems that Danton has succeeded in winning the people over to his side with a fiery defence speech. However, his success will not last. Two of the St. Just gedungene witnesses finally besiege that the voices of the people are turning against him and he and his companions are condemned to death.

On the Revolutions Square, there is a relaxed atmosphere. As the crowd begins to sing the Carmagnole, Danton and his friends on the Schafott begin to sing the Marseillaise. Following the execution, the Volk was extinguished. Camille’s mother, Lucile, enters the last scene and sings with tears in her eyes, “Es ist ein Schnitter, der heißt Tod…”.

Dantons Tod Komponist Musik

The music is just somewhat contemporary and surprisingly easy to listen to for an ungeübten listener. Even if they are just deklamatorically sung, the often powerfully preceding cries are a musical high point. The most impressive part of her performance is her dramatic fear in the scene before the Revolutionstribunal and at the end of the second act

Dantons Tod Komponist
Dantons Tod Komponist

, when some of the people sing the Carmagnole and others the Marseillaise and try to overthrow each other. WerkeinführungIn 1939, the 21-year-old Gottfried von Einemdem saw Georg Büchner’s 22-year-old first theatre piece and was overwhelmed. Dantons Tod Komponist, the result of this meeting, was the first opera composed by a living composer and premiered at the Salzburg Festival in 1947

. When the significance of the work was immediately recognised, theatre productions sprang up in Vienna, Hamburg, Berlin, Hannover, Stuttgart, Paris, Brüssel, and New York. Gottfried von Einem’s opera “erobert” the world’s stages in six languages. Instead of being a supporting role in Büchner’s opera, the people play a central role in Onem’s opera

, the revolution, and the chorus scenes are among the most powerful ever composed by the composer. For a Pathos of Melodrama, which Büchner is completely alien to and which Onem is further fueled by by his plakative musical language, the opera’s mass scenes and justification scenes before the Revolutionstribunal work together. The Work

Dantons Tod Komponist

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